Ofra Haza. Olis, acrylics and collage
"The text panel reads: "Ofra Haza (1957-2000)
The astonishing Israeli singer’s voice has been described as a "tender
mezzo-soprano". Inspired by a love of her Yemenite and Hebrew culture,
her music quickly spread to a wider Middle Eastern audience, somehow
bridging the divide between Israel and the Arab countries. As her
career progressed, Haza was able to switch between traditional and more
commercial singing styles without jeopardizing her credibility. Her
music fused elements of Eastern and Western instrumentation,
orchestration and dance-beat. This is epitomised by her cross-cultural
use of traditional Yemenite costume with sunglasses.
Haza’s ground-breaking 1984 album Yemenite songs were those she had
heard in childhood, using arrangements that combined authentic Middle
Eastern percussion with classical instruments. Paid in full by
hip-hoppers Eric B & Rakim (as remixed by Coldcut) was the first
time that her voice became widely heard in Europe and the USA, sampled
from the traditional song Im Nin’alu (1988). Many western listeners
responded to the beautiful, exotic voice: “What is that?”.
Controversy and rumour surround her untimely death. It is said that,
pressurised by her extended family to marry, at the age of 40 Ofra Haza
wed a ‘successful’ businessman: secretly a long-term drug addict who
had apparently contracted HIV before of the marriage. Ofra Haza died on
23 February 2000 at the age of 42, of AIDS-related pneumonia. Her
husband died of a drug overdose the following year."
The two colour pictures of the singer in traditional Yemenite costume
contrast with the central portrait which is unsmiling and monochrome to
reflect the tragedy at the end of Haza's life.
" Borin Van Loon